Alpha Rhythm Roots - Djembe Drumming Blog
Welcome to "Alpha Rhythm Roots" Djembe Drumming Blog
The following Blog has been set up to provide specific information
about Djembe drumming - Multiple articles are being added regularly.
We encourage you to have an open discussion about these articles via comments
Authentic Djembe drum
Djembe class waiting for you
A Djembe drum is waiting for you.....
Add this page to your Favorites
Promoting traditional music and culture of Guinea for over 10 years !
We are from Guinea - based in Toronto Canada
Follow Us on Twitter
Like Us on Facebook
Articles from our main website:
Djembe Buying guide - Advice for purchasing a Djembe
Guinean traditional percussion orchestra
Djembe Tuning and care
Djembe wood

Blog articles on this page (Click and see below):
The many benefits of Djembe drumming - 08/07/10
Choosing the right authentic Djembe for you - 01/17/11
Learning how to play the Djembe drum - 06/24/11
Why you will never learn how to play the Djembe in a drumming circle - 07/21/11
Purchasing the right Doundoumba set for you - 09/21/11
Beyond the “Doundoumba / Djembe” Guinean orchestra model - 12/30/11
What makes a “Djembefola – Doundoufola” a Master Drummer - 03/30/12

Alpha Rhythm Roots - Djembe Drumming Blog

What makes a “Djembefola – Doundoufola” a Master Drummer

by Alpha (Administrator) on 03/30/12

Djembefolas and Doundoufolas are musicians from the Mandingue musical heritage, who  dedicate their whole lives playing and studying the traditional music on their drums (on the Djembe and the Doundoumba, respectively).

There are quite a few Djembefolas and Doundoufolas all over the world, most of them are still in Guinea, Mali, and neighboring counties from the old Mandingue Empire. Some of these musicians specialize only in Djembe, others only in Doundoumba, while others have been trained in multiple traditional percussive instruments not limited to Djembe and Doundoumba.

Many people in North America and Europe, have proclaimed themselves to be Master Drummers, especially in the field of the Djembe drum. The Master Drummer title has been abused. Hence, legitimate Master Drummers have problems getting recognition outside of their country of origin.

You need to be a Djembefola or Doundoufola before you could become a Mandingue master drummer. But on what basis do we give someone the title of master drummer of their instrument(s), and who gives that title? In order to answer these questions, you have to consider the cultural context surrounding the music that is being played. In the case of Djembefolas and Doundoufolas, the Mandingue musical heritage is what comes into play. Being a Mandingue master drummer is not only related to a specific percussive instrument(s), but is also culture specific. Djembefolas and Doundoufolas know very well how rich and extensive the Mandingue musical repertoire is, with its hundreds of musical pieces (rhythms), which each have a historical context behind them, and multiple songs and dance choreographies. There are no men that can claim to know it all, including Master drummers themselves.

However, some exceptional musicians in the Mandingue have dedicated their lives playing their percussive instrument(s), and got to a level of knowledge and expertise so much greater than all other musicians, that the other musicians start calling them Master Drummers of that specific instrument(s).

That is how one becomes a Master drummer, when your peers, known expert themselves in the same percussive instrument(s), start calling you Master drummer… This can indeed never be a self proclaimed process.

Copyright © 2002-2012  Alpha Rhythm Roots - All Rights Reserved – Written by Alpha _________________________________________________________________________